can any one tell the origin  & name of the flute played by Lord Krishna?
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In some writings, it's called "Krishna ki Patrani" (Krishna's Queen). It's also called "Bansuri".
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Check out this link....read chapter 16.\n\nhttp://www.dalitstan.org/mughalstan/qatl/krishna/index.html
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krishna devaraya\n\nvenkatachalapathi\n\n\nramudu\n\nbeemudu
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http://www.lankalinksystems.com/sri-lanka/sinhala/sinhala-midi.htm
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Midi\nCampursari\nDangdut
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no.way. there are very fundamental differences in teachings. krishna is much more rich philosophy. i am not saying this as a hindu. just read Bhagvat Gita. even a few verses will make u get that.\n\nthe most striking feature is while moses talks about chosen people(i guess he was the firs to coin that idea) and only true god and that thou shall not bow b4 any other god than me.....\n\nkrishna says "those who pray with devotion to another god, it is to Me that they pray." \neven those who worship other gods (anyadevatah), ancestral deities, elemental powers, if they do so with faith, then their faith is justified, for the Divine accepts every form conceived by the worshipper. \n krishna started the theory of Karma.\n\n krishna was not raised as prince though he was one. he was raised by a village chief . the only similarity is that kansa, his uncle tried to kill him because of a profecy that devaki's son (krishna) will kill him ultimately. so first he killed all his brothers at the time of their birth. but  his father was successfull in smuggling him out declaring him stillborn.. when kansa found out that he ordred that all new born children should be killed in that area. \n\n the truth is that original story of krishna had many colors added to it. the story of child masecar could have been borrowed later.
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Try this link.  Hope it helps!  http://hinduism.about.com/od/audiomusic/
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KRISHNA: Said by the Vedas to be God, the Supreme Person, who is the origin of all other incarnations of the Godhead such as Vishnu and Nârâyana. The Bhagavata Purâna contains extensive descriptions of his qualities and activities. He spoke the Bhagavad Gîtâ to Arjuna at the beginning of the Kurukshetra war.\n\n\nWe are all His children.
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Parushuram was even before Ramayaana. The real Parshurama was the one who killed his mother to obey his father...and later took a boon from his father(sage Jamadagani) to give life to his mother.\n\nParshurama was the incarnation of God, to teach those kings a lesson, who were not following their Dharma\n\nLater, he created an Ashram, and the Head of that Ashram was called Parshuram\n\nIt is like there was one Shankracharya...and the heads of his Ashramas are called Sankracharyas even now
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For me, Krishna. For others, dozens of other names.
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Hello try : Buddaha-bar VIII. By Sam Popat. You can find it on George V records. The UPC code is 8 23807 10572 9. You can get it at Borders. Check it out. It's a blast. Lots of new stuff mixed real cool. E-mail me if you want.
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The origin of the ancient ecclesiastic music, with character of monody, sung in the liturgy of the Roman Rite under the name of Gregorian Chant, goes back to a distant past. The traditional name stems from that of the Pope Gregory the Great (about the year 600). Gregory I was a Doctor of the Church. He studied laws and about the year 570 he obtained the charge of prefects urbis. He moved back later to his own house which turned into a monastery. In the year 578 he was ordained as a priest and in 590 he was elected as a Pope; it had to face to a great crisis for Justiniano's restoration had failed. He was the first pontiff who with his pastoral review and his reform exposed himself to the Germanic world. Due to an information contributed by his biographer it was admitted later and in a widespread way that this Pope not only had polished and arranged the musical repertoire of the ancient ecclesiastic music, but even he was the author, partly well or completely, of numerous melodies. These were his works: pastorals, Regula pastoralis; hagiographical, Libri quattuor dialogorum; and homiletics, Homiliae 22 in Ezech, and Homiliae 40 in Evang. In his iconography he is represented frecuently writing under the dictation and inspiration of the Holy Spirit which appears symbolically in the shape of pigeon placed next to his ear.\n\nNevertheless, the Gregorian Chant that currently can be compiled in several volumes and forming the quite unitary one is not a work of only one man nor even of only one generation. The knowledge that we possess of the history and of the origin of the ecclesiastic melodies is far from being deep, since scarcely there are some few manuscripts previous to the 10th century that have come up to us. Fortunately, the compared study of the old texts and of the liturgical forms has thrown new light on this topic. The graduals and the current antiphons contain all the chants corresponding to the ecclesiastic year, but the order in which they are presented to us does not indicate of what periods the different melodies proceed neither to what changes they have been submitted and how they have taken place in the course of the centuries.\n\nThe christianity never broke with the cultural forms that already existed in the moment of his appearance. What it did was to recapture them and, only in case of need, to adapt them for his own employment. The language and the art of the cultural medium was placed to the service of the spread of the new religious message. Thus, the first Christians used, undoubtedly, the melodies that previously they knew.\n\nIn Jerusalem and his surroundings, the zone where the first organized Christians arose, there existed two cultures, one next to other, and also intermingled: the purely Jewish traditional culture that had expression in the temple and in the services of the synagogues and the culture of the Hellenistic civilization that had arisen in the last centuries before Jesus Christ and that was spreading over the countries of the basin of the Mediterranean (from Alexandria in Egypt, up to Rome). This culture created a common language, the so called Hellenistic Greek , and in her there were fused some other own cultures of different peoples that were part of this so wide and varied world. The liturgy of Rome —that was celebrated, at first, in Greek language and from the IVth century already in Latin—, was using words of Hebrew origin proceeding from the epoch previous to Christ, as "Hosanna", "Hallelujah", "Amen ", and also Greek words like "Kyrie eleison" and "Agios o Theos".\n\nThe primitive music comes essentially from the Jewish synagogues. We have no information about the ancient Hellenistic music to be able to state his traces or his influence on the Christian music. In the Christian liturgy we can detect, on the contrary, the clear influence of the Jewish liturgy, like for example, the prayer that is intoned when the lamp is ignit
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I believe it was Oda Nobunaga around 1549\nOda often sang and danced to this hymn, the best remembered one was in the morning of his very first 'against-all-odds' battle against the Imagawa clan of Suruga, when he was only in his twenties and having just a few hundred of soldiers, in an impossible war against tens of thousands. \n\nBut Oda won that battle.
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i didnt check the whole site... but this may b of some help.. \nhttp://sanskrit.gde.to/links5_audio.html\nhttp://www.vedamantram.com/\n\n\nhave a nice day!
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Liberty Song\nhttp://www.contemplator.com/america/liberty.html\n\nSaathi Haath Badhana\nhttp://www.musicindiaonline.com/lr/17/6575/\n\nZindagi Milke Bitayenge\nhttp://www.hindilyrix.com/songs/get_song_Zindagi%20Milke%20Bitayenge.html
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Hare Krishna is one of Gods main names in Sanskrit/Hindu. The cult was founded by a Sanskrit\nscholar from India that came to America in the sixties and had temples built across the US. Its now all run by Americans.
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The Dambusters, by Eric Coates.\n\nadd  - Ok, I stand corrected. Do you have a clip we could hear? Most orchestral music has a flute in it.