textual examples of heroic love in pride and prejudice by Jane Austen?
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As I said in my answer to your first question, heroic love is the highest on the scale of the types of love you list. \n\nMortimer Adler points out that heroic love always involves an element of self sacrifice; being willing to give up something or put ones own interests aside for the sake of the loved one. I would say that Darcy has this sort of love for Lizzie; he is prepared to do something he absolutely hates (find and bribe Wickham to marry Lydia) for Lizzie's sake alone.\n\nHope this helps!
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The closest I could find is:\n\n#49847. Sextus, Propertius. The Columbia World of Quotations. 1996\n\n"Love never offers to anyone wings so easy that he does not hold him back with his other hand. "\n\nHope this helps!
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Try Prokofiev's "Montagues and Capulets" from Romeo and Juliet.\n\nListen to an extract on Amazon.com.
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Persuasion and Pride and Prejudice by Jane Austen, they are simply the best classics that have such relevance and resonance even today. Her characters are realistic identifiable and no one is perfect or without a glimmer of humanity. I also love Going Postal by Terry Pratchett I think it's his most cynical and insightful book since Small gods and wonderfully parallels all aspects of our world today.
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Hmmmm....\nKimono the first (I think)\nAnd the second is PRIDE AND PREJUDICE by Jane Austen.\n\nGoodluck!
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If your looking for an epic poem, try Evangeline. It was written by Henry Wadsworth Longfellow about a maiden and a search for her lover. It's based upon the expulsion of Acadians from Nova Scotia in 1755. The poem is long, but I highly recommend it.
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LOVE:\n\nLove is patient and kind.\nLove is not envious,\n     boastful, or proud.\nIt is not arrogant or rude,\n     It is not selfish\nor easily provoked.\n     It thinks no evil.\nRejoices not in iniquity\n     but rejoices in truth.\nLove bears all things,\n     believes in all things,\nhopes all things,\n     endures all things.\nLove never fails.
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1. Its her way of getting her revenge on mankind by employing Pip to come to her house so that Estella can 'break his heart' when he falls in love with her. Miss Havisham does this because her heart was 'broken' by her ex- lover so she wants Pip's heart to be treated just the same as hers.\n\n2. a lawyer named Jaggers appears with strange news: a secret benefactor has given Pip a large fortune, and Pip must come to London immediately to begin his education as a gentleman. \n\n3. Family relations to the Pockets:\nMiss Havisham—Estella \nMiss Havisham—Camilla and Cousin Raymond—Georgiana—Miss Sarah Pocket—Matthew Pocket \nMiss Havisham—Arthur \nMatthew Pocket—Belinda Pocket—children \n\n4. A coworker of Pips. I think it is in Ch 25 where you see the contrast of Wemmick's cheerful, friendly personality at home and his harsh, stolid actions at work.\n\n5. The "Aged": Wemmick's elderly, and quite deaf, relative (of unknown relations). The Aged lives with Wemmick in his castle and is quite happy when you nod at him. \n\n6. The "Avenger": Pip's servant boy who Pip finds more of a nuisance than a help. Pip never has enough for him to do, so the Avenger always seems to be standing around. \n\n7. While the convict has come to England to see Pip and enjoy flaunting the gentleman he has made, Pip tells him he is in danger and that they need to lay low. The convict tells Pip his name is Abel Magwitch and that he is using the name “Provis” for this trip. Magwitch’s motives are a mixture of good and bad; part reward, part revenge. He is obviously grateful for Pip’s help years ago and is generously rewarding him with an easy life. Even his manner of holding Pip’s hands is much more honest and heartfelt than Pumblechook’s “May I?” However Magwitch can be “low” as well. He wants to show society that a low dog like him can make a fine gentleman. By showing Pip off to the world he gets revenge for how the world treated him.\n\n8. The relation of social class to personality\n\n9. That it was a social class aware society.
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True Love ....\n\nIt's as mysterious as the stars it was written on, as elusive. It is everything it's hyped about to be. It's worth taking every risk, it's worth fighting for, and the problem is if you don't risk all then you risk even more. Love is kind of an elixir that lures us out of reality and into the realm of fantasy. It's like a drug creating an altered state of consciousness.\n\nLove is the moment when an unfavorable act becomes favorable, when you make excuses for some one else's mistakes, when you learn to tolerate, when you learn acceptance, when sacrificing becomes the beauty of life. \n\nIt's the courage to tell the truth especially when you believe its unspeakable.\n\nIt's the time when seeing some one, being seen by some one and thinking about some one feels good, when you learn to find happiness in the smallest of moments.\n\nThat's love--when you learn to put down your ego and love some one more than that.\n\nLove is forgetting your self and remembering some one else. \n\nLove is choosing your partner exactly as he is, and supporting him in his choices. It's honoring your partner's truth and wanting best for him.\n\nIt's not controlling or possessing but rather respecting and trusting.\n\nIt does not mean owning some one, getting some one, rather it means being happy in your loved one's happiness.\n\nLove means living without judgments. It means treasuring your beloved and never taking him for granted. \n\nLove means being able to forgive and learning to give more then you get. It means reaching out when you don't want to, communicating rather than assuming and asking questions rather than jumping to conclusions.\n\nIt means working things out rather than fighting, fighting rather than leaving, and staying through the hurts and disappointments, knowing that through commitment all can be healed. \n\nFalling in love is like being enveloped in a magical cloud. The air feels fresher, the flowers smell sweeter, food tastes more delectable, and the stars shine more brightly at night. You feel light and lofty as though you are floating through life, and your problems and challenges suddenly seem insignificant and easily surmountable. Your body feels alive, your skin tingles and you awaken in the morning with a smile on your face. You are suspended in a state of supreme delight.\n\nLove is a feeling and an action that arises from the most primal place within us. Making a relationship however, is a process that is learned. A relationship is the vessel that carries the precious cargo of love through time.\n\nRelationships are like a precious antique lamp; it takes a little polish and some effort to restore it to its valuable condition. A relationships love and luster will only improve with age if you continually give it the care that keeps it beautiful. But once you uncover its essential beauty it will bring you joy for years to come.\n\nAfter having said all this I want to say that you have to make the decision on your own, on one hand love is magic, on the other it's time tested relationship worked hard and furiously at.
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Perhaps from D.H. Lawrence's "Studies in Classic American Literature", published in 1923. In Chapter 10, "Herman Melville's Typee and Omoo," Lawrence writes (see the 8th paragaph for your citation):\n\n"Look at Melville's eighty long years of writhing. And to the end he writhed on the ideal pin.\n\nFrom the 'perfect woman lover' he passed on to the 'perfect friend'. He looked and looked for the perfect man friend.\n\nCouldn't find him.\n\nMarriage was a ghastly disillusion to him, because he looked for perfect marriage.\n\nFriendship never even made a real start in him - save perhaps his half-sentimental love for Jack Chase, in White Jacket.\n\nYet to the end he pined for this: a perfect relationship; perfect mating; perfect mutual understanding. A perfect friend.\n\nRight to the end he could never accept the fact that perfect relationships cannot be. Each soul is alone, and the aloneness of each soul is a double barrier to perfect relationship between two beings.\n\nEach soul should be alone. And in the end the desire for a 'perfect relationship' is just a vicious, unmanly craving. 'Tous nos malheurs viennent de ne pouvoir etre seuls.'\n\nMelville, however, refused to draw his conclusion. Life was wrong, he said. He refused Life. But he stuck to his ideal of perfect relationship, possible perfect love. The world ought to be a harmonious loving place. And it can't be. So life itself is wrong.\n\nIt is silly arguing. Because, after all, only temporary man sets up the 'oughts'.\n\nThe world ought not to be a harmonious loving place. It  ought to be a place of fierce discord and intermittent harmonies: which it is.\n\nLove ought not to be perfect. It ought to have perfect moments, and wildenesses of thorn bushes - which it has.\n\nA 'perfect' relationship ought not to be possible. Every relationship should have its absolute limits, its absolute reserves, essential to the singleness of the soul in each person. A truly perfect relationship is one in which each party leaves great tracts unknown in the other party.\n\nNo two persons can meet at more than a few points, consciously. If two people can just be together fairly often, so that the presence of each is a sort of balance to the other, that is the basis of perfect relationship. There must be true separatenesses as well.\n\nMelville was, at the core, a mystic and an idealist.\n\nPerhaps, so am I.\n\nAnd he stuck to his ideal guns.\n\nI abandon mine.\n\nHe was a mystic who raved because the old ideal guns shot havoc. The guns of the 'noble spirit'. Of 'ideal love'.\n\nI say, let the old guns rot.\n\nGet new ones, and shoot straight."
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keller.clarke.edu/~english/honors/liz.\n\n PLEASE CHECK OUT THIS SITE THE LINKS THAT ARE IN THE  BODY OF THE PAPER ARE INCREDIBLE. GOOD LUCK!!!
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I would definately try out www.sparknotes.com that's where I get most of my info for english class. And they usually have a section called "important quotes explained"
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Not specific courses on one hero, but a history course will cover heroes of various sorts.  For example, Harriet Tubman who freed slaves, Frederick Douglass.  In an English course, we learn about heroes in novels, some ancient times and extraordinary (Gilgamesh)  and some modern and ordinary (Lenny, of mice and men) .  Most of our stories of heroes, sadly, come from media and pop culture through movies and such
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Sparknotes:\nhttp://www.sparknotes.com/lit/canterbury/
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Hi I liked the quote very much, sooooooooooo romantic and pure it felt just by reading  it .
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Pablo Neruda' love poems can melt pages (if you can read Spanish. Sometimes the translators don't get it right).\n\n Personal fave Edgar Allan Poe's Eleonora.
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Try www.angelfire.com/me2/camelot/page4.html\n\nIt looks pretty good.  Also, you might want to try sparksnotes and sites similar.