meaning of how to weave?
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how you cope i will never now
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You need a stringing machine, then it depends on what kind of machine you have. Would really need more details.\nStringing pattern can normally be figured out or taken from the previous set of strings.
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Head-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nHead-On.  Apply directly to the forehead.\nH
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OMG  What a wonderful look!  How do you get you hair that way?
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tuggle is some extra portion of cloth or material hanging from the original thing.  Just like a tuggle of  hair - extra haning hair , etc
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Gazni wool, is highly regarded as one of the best rug weaving wools in the world. It originates from the legendary sheep from the plains of Gazni in Eastern Afghanistan.\n\nHope this helped.
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You can dye yarn using several different methods.  For wool, alpaca, angora, nylon, and other natural protein fiber yarns (not cotton) you can use what is called acid dye.  The acid dye can be anything from comercially purchased dye (I use Jacquard acid dyes) to Kool-Aid (Kool-Aid really works!  Very well!).  \n\nThe "acid" part of the name comes from the fact that you need to use an acid to "set" the dye into the yarn so it doesn't wash out.  You can use a chemical mordant as your acid, or something safer like vinegar or citric acid to set your dyes.\n\nThere are several different methods of dyeing the yarn but here's how I do it.  First, soak the yarn in some hot water for about 30 minutes.  This will help the yarn take the dye.\n\nMix your dyes in small containers according to the instructions that came with your dye.  Generally you add a small amount of dye, water, and a couple tablespoons of vinegar.  Next, lay your yarn out on some plastic wrap, and pour small amounts of of your dye onto the yarn.  This is called handpainting the yarn.\n\nWhen you are done, roll the yarn up in the plastic wrap and microwave it on high.  Check it every few minutes, watching for the colour of the water on the yarn to turn clear.  This means the dye has exhausted and will not rinse out of your yarn when you wash it.  Rinse your yarn and hang it up to dry.  You've dyed yarn!\n\nThere are many other methods of dyeing yarn like crockpot dyeing, rainbow dyeing.  Try Googling how to dye yarn if you need more information.
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When you get carried away you do what's called frogging in the knitting community.  It's called that because you rip it rip it rippit.  I'm sure you get it by now.\n\nWhat you want to do is use another piece of yarn, called waste yarn, and put that through the stitches in the row that you want to go back to.  Then slip the stitches off the needle and frog away.  If you have already bound off you'll have to undo that last stitch where you pulled the end of the yarn through.  \n\nPutting the waste yarn through the stitches where you want to stop unraveling makes it lots easier to pick those stitches back up on your needle for bind off.\n\nSee http://www.knittinghelp.com for lots of help for beginners.
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Knit one\nPurl two\nslip next stitch\nPurl single stitch over next two
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The Basics of Yarn Making for Students \n\nThis summary covers the yarn making processes used by SANS Fibres, including:\n\nWhat the basic raw materials are and why we use them. \nWhat the main requirements of our products are.  \nWhat the steps are in the yarn making process. \nA brief description of how each step is carried out and what its purpose is. \nAt the site below
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google it http://www.webopedia.com/TERM/s/spooling.html
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This question has very little available on the Internet about it. This is the closest thing I could find: \n\nTends machine that forms (twists) rope-fiber yarn into strands preparatory to being laid into rope: Installs specified size tubes that gather and compress yarn preparatory to twisting.
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Your results should be:\n\nF1 All Curly (Cc)\nF2 3/4 Curly, 1/4 straight (1/4 CC; 2/4 Cc; 1/4 cc)
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yes we did it in science class.  I forget how exactly but you fold the paper and then start cutting tiny rows but everyother row you change directions and then open it up when you are done and you get a loop of paper like a hoop and then you can step through it.  E-mail me for more details at fairy_dust_xo@yahoo.com  Hope this helps!
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From the link below:\n\n1. Hold one end of each shoelace in each hand.\n2. Cross them, making an X.\n3. Pass one end of the shoelace under the other.\n4. Pull tight.\n5. Fold one shoelace in half while holding laces taut.\n6. Wrap the other end around the folded end.\n7. Grasp it in the middle after pulling it around the folded end.\n8. Bend it into a flat loop and pull through, making a bow.\n9. Repeat with other shoe.
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. I am a hair stylist I been doing weaves for 12 years.I charge about $175-$300 for regular weaves and for fusion I charge $650-800 I'm very resonable thats why i have mamy mamy mannny clinets. I do black hair,white hair all hair types I live in md.It is very safe for your hair and it also keep your hair growing.you should try it.if you want one try this link to find a hair weaving professional place in your area.these girls are very good try out this site.if you dont know how to pull it up email me at   light_skin68@yahoo.com i will show you.
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Making mud cloth is a time-consuming process, normally taking four days to a week to complete, depending upon weather conditions. Each piece is made of 100% cotton, and is completely and totally handmade, most often by men. They start the process by weaving cotton thread on a loom. The loom is normally hand-held and makes a strip of cloth five to six inches wide. For a normal piece (6'x45"), they will weave nine strips and then sew them together.\n\nWomen traditionally hand paint and design the cloths. A mud cloth artist is much like any western artist. Each concept must be taught or learned over a long period of time. A person working in the art of mud cloth painting must learn how to make each of the different dyes out of organic substances, as well as how each of the substances will react with the fabric and fixatives. The mud used to make mud cloth is usually mixed with water and then set aside to ferment for about one year.\n\nThe first step in painting the cloth is to place it in a solution that dyes the cloth yellow and acts as the fixative. Typically this is a tea made from the Bogolon tree which is native to Mali, West Africa. Using twigs or metal instruments the artist hand paints the designs onto the cloth with the mud, being careful to saturate the area so the mud won't fade out. The tea acts as a fixative for the mud dye. The fabric is then washed and another layer of mud is applied over the first, and so on, for each color. The fabric is then dried and put in an organic solution to make the patterns appear darker. Finally, a soda is painted to areas that will be white. This bleaches the fabric causing it to regain its original white color.