a recording studio in london?
453232
Try this site and you might find what you are looking for:\n\nhttp://www.vocalist.org.uk/recording_studio_listings.html
195747
Try the International Reprographic Association's website for contact information. They can probably lead you to different contacts.\n\nhttp://www.irga.com/\n\nAlternatively, browse through the websites of all the universities and trade schools you can find in London.
425595
get a sharware Audio recorder such as audioMP3 recorder.\n\nYou can try looking for sharewares;\nhttp://www.tucows.com\nhttp://download.com
733468
The are some New Film Studios at Temple Mills East London(where an Early Big Brother was done). If you can why not visit them and enquire.
1067392
hey babe,try this link,there are loads to choose from. hope it helps\n\nhttp://www.yell.com/ucs/UcsSearchAction.do;jsessionid=cuYiM58PZcta?searchType=classic&ooa=on&keywords=&companyName=Academy+of+Music&location=london&x=26&y=5
1036363
Write to Peter, the manager, of Blue nightclub in Inverness, Scotland and include a demo cd/tape.  He's a fair guy with extensive knowledge of music and years of experience.  Judge Jules, Lisa Lashes, Goldie etc have all played there.  Good luck.
819892
A studio should be supplied with a variety of microphones.  Even the SM57 Shure has a real place in a studio when recording a guitar amp through a microphone.  There is no one microphone that is a "do everything" microphone in a studio.  Only through trial and error will you find the right one for each application.
693653
hi me again i would get it done properly by an engineer, phone a recording studio they will do a better job than you can at home they will have all the specailist equipment.
1064722
it depends..we've recorded music using ProTools 6.9 using a Windows formatted Hard Drive to go between studios. I would format it for Windows and I'm 99% sure the Mac side will accept it. If you Format it for Mac, Windows may prompt you to reformat for XP. Good Luck
1178393
The performing rights society will be able to advise you on what or if you need a licence in the UK\n\nhttp://www.mcps-prs-alliance.co.uk/\n\nAs an example, we used to have the radio on in our shop. We had to have a licence even though we were not charging anyone for listening and so it is not just about copying or selling music.
593409
have you tried calling information in your area. see if they have a number for some dance studios.
1167725
Absolutely.  \n\nThough I'm *not* old {smiling}, yes, I remember all kinds of tape recording formats, and even went to a school for multitrack recording, with the aim of getting a job in a studio.\n\nThere are numerous programs for your PC that will turn it into a multitrack recorder with all the familiar features a console has -- channel and master faders, VU meters, pan knobs, mute and solo switches, etc.  But they go beyond the wildest dreams of a recording engineer in the 80s, when tape (often 2" wide) was the only respectable medium, and a reasonable studio would cost many tens--if not a few hundreds--of thousands of dollars to assemble.\n\nComputer software on a good PC does the job of both the mixing console and the multitrack recorder, and even lets you do a mix-down to stereo, and even editing of your projects... and mastering to CD!\n\nI don't have enough experience with any of the programs I've seen   to recommend one, but suspect you'd find a lot of useful info at emusician.com, the online version of Electronic Musician magazine.  \n\nThey probably review software as well as hardware, and I'm sure there are plenty of other sites that do, too.\n\nYou might want to just get your feet wet with a great *free* program, called Audacity.  I *have* used that one, just playing around, and it seems to have just about everything I've seen in pay programs, and which a beginning (or even semi-pro) band would need.  I can't say for sure, but I'd be surprised if this software *isn't* good enough for a demo, as long as you know how to use it.  \n\nThe recording and mixing process takes practice, some knowledge of sound and microphone placement, a good ear, and a bit of creativity... as with any other type of recording equipment.  Since Audacity is freeware, you have no money to lose, there.\n\nAs for "easy to use," that depends a lot on your experience with the hardware these programs are designed to emulate.  I find the software pretty intuitive, but I have studied and used this kind of hardware on and off for years.  I can imagine it being an awful lot to a newbie.  But then, so would the hardware versions of these tools.\n\nOne other tip: don't skimp on your microphones.  A mic of poor quality will ruin a recording quicker than just about anything else, no matter how good the software is.  And it's not one-type-fits-all-duties.  Way too much to cover here, I'm afraid.\n\nOh, alright, one more thing... you do have to have a certain level of hardware in your computer.  Check the system requirements of the software you get, but I'm guessing you'll want at least 1 GB of RAM, a fast hard drive (7200 rpm or better), and a fast processor (I won't guess, on that).  And obviously you need some way to get the microphone signals into your PC.  If your sound card doesn't provide the necessary inputs, you may need to buy a "breakout box" which you connect to the computer via USB port, probably, and which then gives you various mic and line inputs.\n\nThis may sound like a lot to learn, and I won't lie... it is!  But it is possible, and I think can give you a surprisingly good quality recording via your PC.\n\nGood luck, and maybe you'll send me your demo CD!   ;-)
505525
How are you recording?
161761
well i check their official site and it looks like they're in the studio recording...
917144
Sound engineers who work in recording studios make high quality sound recordings, mainly for the entertainment industry.\n\nSound engineers operate complex electronic equipment to reproduce music, dialogue, sound effects and other audio content to the highest quality. This may be for: all types of music recordings; radio, TV and theatre; corporate presentations and promotions; websites and interactive media.\n\nThe work involves:\n\n    * planning recording sessions and microphones and equipment in the studio\n    * setting and maintaining appropriate sound levels and dynamics\n    * recording each item/instrument\n    * mixing various tracks on tape and monitoring the sound using the control room speakers\n    * compiling the recordings into the final master according to the client’s brief\n    * assembling all the information associated with the recording for archive.\n\nHours and Environment\n\nHours of work vary widely and may include days, evenings, nights and weekends. Overtime may be available.\n\nMost of the work is carried out in a recording studio. The conditions vary depending upon the type of studio. Large recording organisations may have air-conditioned, comfortable, spacious, well-equipped studios.\n\nMost control rooms are intense working environments, often small and crowded and lit by artificial light.\n\nRecordings may be made away from the studio at live concerts which could be in a theatre, a concert hall, or outdoors in the open air.\n\nSkills and Interests\n\nTo be a sound engineer, you should:\n\n    * have the ability to distinguish sound quality\n    * have an ear for pitch, timing and rhythm\n    * have a basic knowledge of electricity, electronics and the physical properties of sound\n    * have practical wiring skills\n    * have an interest and knowledge of music (musical ability is useful)\n    * the ability to cope with long hours and stressful working conditions\n    * be a good communicator.\n\nEntry\n\nNo specific educational qualifications are required by the industry, although you will need to acquire some knowledge of recording technology and music. Knowledge of physics and electronics is also useful. Most entrants gain technical knowledge from taking a further or higher education course, such as City and Guilds 1820 in Sound Engineering, or BTEC/SQA National Certificates and Diplomas, HNDs and degrees are available in sound engineering, acoustics, audio or music technology.\n\nThe Association of Professional Recording Services (APRS) accredits some courses. See website for further details.\n\nTo enter a degree course you will usually need at least five GCSEs (A-C)/S grades (1-3) plus two A levels/three Highers, or equivalent qualifications. For a HNC/HND you will usually need four GCSEs (A-C)/S grades (1-3) plus one A level/two Highers or equivalent. An Access to Higher Education qualification may be accepted for entry to certain courses. Please check with colleges or universities for exact entry requirements.\n\nThe key to finding a trainee position is to gain relevant practical experience and to make contacts in the industry. You can gain experience from:\n\n    * college productions\n    * community/hospital radio\n    * rigging sound for theatre\n    * recording or mixing music\n    * working for a sound equipment manufacturer\n    * working as a runner at a recording facility\n    * work placements on higher education courses.\n\nSome studios will employ new entrants as assistants, or runners, to work wherever they are needed, carrying out basic routine jobs. Their training on the equipment is then completed on the job.\n\nTraining\n\nTraining is usually on the job or through recording studios. Audio technology can change frequently and sound engineers often need to know how to use state-of-art equipment. The soundengineer.co.uk website has a list of links for professional training on specific MIDI or digital audio techniques including multimedia technology.
1059108
Try Tower Records, Best Buy or your Local Record Store.
590667
just record it with you microphone