Discuss the advantages of true color image over a pseudo-color image?
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A true colour image will look the same as the object of which the image was taken.
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advantage-  Cheaper and smaller\nDisadvantage- poorer resolution
57859
Do an image search for color wheel.
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you could use Total Image Converter.  It is available for download at coolutils.com.
478268
where colors whiter than you =P black with make contrast between two opposite colors and that = bad
1170385
Adobe Photoshop would work.
806627
This is partially true, partially false.\n\nWith regards to purple, most people would agree that purple light is always some mixture of reddish and bluish light.   I.e. you can imagine two knobs, one raising and lowering the red and the other raising and lowering the blue, and you can get many shades of purple.  There may be other hues added in as well, but there is *always* red and blue (if not, we rarely call it purple).\n\nIn other words, if we didn't have the word "purple" in our language, we would probably call it something like "reddish blue" or "bluish red".\n\nBut we cannot do the same with red and green.   We have a very hard time imagining, or pointing to, a color that is "reddish green".  If given only a red and a green knob, the result will be make the color more or less neutral (gray or white).\n\nLikewise with blue and yellow.  (Some people will respond that green is bluish yellow, but that's because many people are used to mixing pigments on paper ... we're talking about mixing lights.)\n\nThese two pairs,  red-green and blue-yellow, are *fundamental* pairs.  We call them "oppositional".  (There is also a third opponent pair ... light-dark ... but as we're just talking about color here, we can ignore that one for the moment.)  This is called the "opponent theory" of color vision and is associated with Ewald Hering.\n\nSo in that sense we can call these four colors "fundamental" hues"  because all color we see can be mixed using knobs of these four colors.\n\nPeople will also wonder about the red-green-blue primaries, and the fact that we know we have red, green, blue photoreceptors in our eyes.  These would also seem to be fundamental hues (as evidenced by the computer monitor on which you are reading these words ... that monitor is able to simulate a wide range of colors using just red, green, and blue).\n\nThese two theories ... the "opponent theory" and the "trichromatic theory" competed for a long time until we found a way to reconcile them.  Basically, we have three types of photoreceptors, but they are wired in a way in our retina, that by the time signals are travelling down our optic nerve, the red-green are antagonistic signals as are yellow-blue.
417583
Photoshop - it's not specific for this but it does a fantastic job of it. Plus you can do lots of other cool stuff with it.
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you can never increase image quality\n\nits always a good idea to save an original
685598
Are you using the internal color capture or something external?\n\nVERY VAGUE QUESTION!!!!
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i think black and white photos are overrated. mine is black and white? D'OH!
473542
That's easy, use the Adobe Photoshop/ImageReady (hope you have it) color choose and you will find the code of the color you want actually... (the real gold in your mind)
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Right Click on your desktop,\nPROPERTIES > SETTINGS (tab) > select COLOR QUALITY
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This is the tutorial I follow that gives me smashing results : http://backingwinds.blogspot.com/2006/10/how-to-create-professional-hdr-images.html\n\nIf that tutorial doesn't help any, maybe you should try darkening your over-exposed image(s) before starting the process, if it is too over-exposed that might be why your resulting image doesn't look as good as you want it too.
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RED (Even if it can reflect all the colors, you are not sending them to the object)
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You can change the contrast and other settings in your display settings. There should be a advanced button located in that option.
820616
Very good, you could have played with the contrast and tweaked the saturation more to make them more arty though!!\n\nGood raw images though