what is misonary style?
80790
Its where the man is on top of the woman and they are facing each other. Now you know!
1151714
swank (swăngk) \nadj., swank·er, swank·est.\nImposingly fashionable or elegant; grand. See synonyms at fashionable.\nOstentatious; pretentious.\nn.\nSmartness in style or bearing; elegance.\nSwagger.\nintr.v., swanked, swank·ing, swanks.\nTo act ostentatiously or pretentiously; swagger.\n\n[Perhaps akin to Middle High German swanken, to swing.]
1116865
I like her style. She is different and thats what makes her stand out for me.
68914
The above answer is correct, but I'm wondering if you're actually asking about the style of the letters.  If so, it's called calligraphy.
865906
it depends upon ur style
804500
malpositional place\nanarchial society\nand for humour:earth
292699
How the author conveys their mood, images, and meaning in writing.
779709
It depends on the object being styled, really.
612892
mechanical, typical, cyclical, rhetorical, unusual
480444
I believe its called Chicago style.
392011
It's Called "Misirlou" by Dick Dale :0)
893547
The manner of one's movement.
588610
it is a stylish way of saying great!!!!
545434
A work of art is written in Italics in the MLA format.
290651
misandrist (mis·an·drist)\nPronunciation: 'mis-"an-drist\nFunction: noun\n: one who hates men —compare MISOGYNIST —misandrist adjective —mis·an·dry /-drE/ noun plural -dries
393760
From amazon.com:\n\n"Book Description\nA provocative, perceptive study of the cultural dynamics of classical music in American society, Music, Talent, and Performance describes music as a metaphor of the society in which it takes place. \nAuthor Henry Kingsbury, a conservatory-trained pianist and music educator turned anthropologist forgoes the traditional ethnomusicologist approach of looking at a non-Western musical culture to focus on the "field" of an American conservatory. The result is a penetrating look at the distinction between teaching music and the nurturing of musicality. Kingsbury offers an innovative anthropological analysis of the western notion of "talent" and its cultural character, noting that many non-western societies have no such concept. Furthermore, he examines various contexts in which music is produced, experienced, and evaluated. His discussion includes the dynamics of orchestra rehearsals in the conservatory, "master class" lessons with a distinguished performer-pedagogue, the ritual characteristics of solo recitals, and an interpretive analysis of stage fright. \n\nUltimately, Kingsbury argues that music "is highly shifting and indeterminate in meaning, "a concept that has important implications for all interpreters of culture and for the artists themselves. \n\nFrom the Publisher\nAn anthropologist's unusual ethnography of an American conservatory."
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http://www.learner.org/exhibits/middleages/