what is the dramatic purpose of act 3 scene 2 in othello?
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Though Act 3, Scene 2 of Shakespeare's Othello is extremely short, it still helps to set details in place for the villain's plot. As Othello unfolds, Iago, the antagonist, does all he can to break up Othello's, the protagonist, marriage to his new bride Desdemona.
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Act 1 opens with Iago and Roderigo arguing that Iago took Roderigo's money and has not made Desdemona fall in love with him. Iago reveals to Roderigo Desdemona has married Othello and that Iago now hates Othello because he has promoted Cassio over him for lieutenant. ... He can't believe D would marry O.
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In Hamlet, Shakespeare uses the tragedies and deaths to make the play a tragedy; Hamlet is a tragic hero because he is a person of high rank who violated a law, and he poses a threat to society and causes suffering to others through violating the law, which are all characteristics of a tragic hero.
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Othello as a Tragic Hero and His Downfall. A tragic hero is a person who makes a bad judgment that leads to their own destruction. ... Othello is seen as a tragic hero since he not only was doomed from the start because of his race, which eventually lead him to do something bad as the result of his very poor judgment.
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In this scene, Shylock becomes an instrument of fate to further the action in the plot. On the one hand, his desire for revenge upon Antonio is revealed because he goes to the supper to help to consume Bassanio's borrowed money. ... Thus, fate has used Shylock to further its plans.
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One of the most baffling things about this play is why Iago goes to such lengths to destroy Othello & Desdemona. He has little to gain from his evil scheme, so why does he do it? Jealousy, a desire for power, sadism, racism and frustrated love are some possible explanations.
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Summary: Act III, scene i In an effort to win Othello's good graces, Cassio sends musicians to play music beneath the general's window. Othello sends his servant, a clown, or peasant, to tell the musicians to go away. ... Emilia allows Cassio to come in and tells him to wait for Desdemona.
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Both plays and short stories use dramatization to reveal character and plot. Good short stories, then, have dialogue and action that is similar to a play. For example, instead of explaining action, a story shows it.
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 Greek tragedy had only three actors and they wore masks.  Shakespearean tragedy never had such restrictions. ...  There is a complete absence of chorus in Shakespearean tragedy. There is no need of a chorus because every action takes place on the stage.
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Othello's nobility is quite evident, however, he does have traits that can be viewed as tragic flaws. Othello is a tragic hero because of his tragic flaw. There are many undesirable traits in Othello, like his jealousy and gullibility. ... Iago was easily able to convince Othello that Desdemona has been unfaithful.
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Lesson Summary Act 3 Scene 2 of Hamlet is primarily about the play that Hamlet commissions to prove Claudius guilty. He has actors act out a scene that is a thinly veiled representation of the relationship between Gertrude, her late husband, Hamlet's father, and Claudius.
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As was mentioned in the previous post, Rosencrantz and Guildenstern are in Denmark to visit their friend, Hamlet. Claudius then summons the two friends to try to find out what is bothering Hamlet. In Act Two, Scene 2, Hamlet is excited to see Rosencrantz and Guildenstern.
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Now, let us take a deeper look into Act 2. Act 2 is basically about the emotional journey of the main character. ... Conflict does not always mean a literal fight, but it can be all kinds of obstacles that keep the main character from achieving his/her goal/desire. Think about internal and external conflicts.
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In Act II, she presents herself as much stronger and assertive because of her role in the trials. Simply put, Mary has power and she is not afraid to show it. The fact that she tells Proctor that she is tired and that she cannot be bothered with all that she has to do is reflective of this.
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Tybalt, in his bloodthirsty hatred of the Montagues, played a critical role in instigating the sequence of events that led to the deaths of Romeo and Juliet. The critical scene is act 3, scene 1, when Tybalt, after challenging Romeo to a duel, kills Romeo's friend, Mercutio, instead. This act drives Romeo into a rage.
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Summary: Act 2, scene 3 Later that morning, just before nine, Mercutio and Benvolio wonder what happened to Romeo the previous night. ... When Benvolio comes to Romeo's defense, Mercutio launches into an extended description of Tybalt. He describes Tybalt as a master swordsman, perfectly proper and composed in style.
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['Resentment and redress (Act 1, Scene 1) ... ', 'Talk of love and war in Venice (Act 1 Scene 3) ... ', 'Cassio carouses in Cyprus (Act 2 Scene 3) ... ', '“The green-eyed monster” jealousy is aroused (Act 3 Scene 3) ... ', "Othello receives 'proof' of his wife's infidelity (Act 4 Scene 1) ... ", 'A deadly attack on Cassio (Act 5 Scene 1)']