what are elements of realism?
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In literature, writers use realism as a literary technique to describe story elements, such as setting, characters, themes, etc., without using elaborate imagery, or figurative language, such as similes and metaphors.
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['Representational Accuracy: It should represent all kinds of required knowledge.', 'Inferential Adequacy: It should be able to manipulate the representational structures to produce new knowledge corresponding to the existing structure.']
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Romanticism idealizes nature, while realism attempts to address the often harsh facts of nature in a matter-of-fact fashion. The two schools share nearly nothing as common ground. The language of realism often is guttural, while the language of romanticism is fluid and lovely.
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['Third-person omniscient point of view. The omniscient narrator knows everything about the story and its characters. ... ', 'Third-person limited omniscient. ... ', 'Third-person objective.']
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['Reality-based stories with strong characters and a believable story;', 'Well-defined, realistic, highly developed characters in realistic, sometimes harsh environments;', 'Often the stories are character driven;', 'The literature is ironic and reflects current political, social and personal issues;']
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['Structure.', 'Clarity.', 'Consistency.', 'Medium.', 'Relevancy.', 'Primacy/Recency.', 'Psychological Rule of 7±2.']
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Photorealism Techniques and Key Characteristics Often, many will create small studies to work through elements of the work's composition, perspective, form, light and shadow before embarking on the final work.
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['(1) Permanence:', '(2) Exclusiveness:', '(3) All Comprehensiveness:', '(4) Inalienability:', '(5) Unity:', '(6) Imperscriptibility:', '(7) Indivisibility:', '(8) Absoluteness:']
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Assumptions are analogous to the basic ingredients in a gourmet recipe. Only the final product of the recipe dictates whether the ingredients suffice. Similarly, assumptions are realistic when they produce good theories, satisfactory predictions, valuable implications, and correct recommendations.
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Realism, in the arts, the accurate, detailed, unembellished depiction of nature or of contemporary life. Realism rejects imaginative idealization in favour of a close observation of outward appearances. As such, realism in its broad sense has comprised many artistic currents in different civilizations.
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The elements, or principles, of visual design include Contrast, Balance, Emphasis, Movement, White Space, Proportion, Hierarchy, Repetition, Rhythm, Pattern, Unity, and Variety. These principles of design work together to create something that is aesthetically pleasing and optimizes the user experience.
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['The major elements of culture are symbols, language, norms, values, and artifacts.', 'Language makes effective social interaction possible and influences how people conceive of concepts and objects.']
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Principles of Classical Realism include: (1) State actions and decisions are rooted in human nature; (2) how the anarchical nature or 'State of Nature' of international politics with no central authority influences the decisions and actions of states; (3) the struggle for power or 'concept of power' in an anarchical ...
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Idealism is when you envision or see things in an ideal or perfect manner. Realism, on the other hand, tends toward a more pragmatic and actual view of a situation.
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Abstract art lacks concrete form. It is simply a series of shapes, or lack of shape, that really has no visible meaning or composition. Realism represents real people, places and things.
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is that realism is a concern for fact or reality and rejection of the impractical and visionary while surrealism is an artistic movement and an aesthetic philosophy that aims for the liberation of the mind by emphasizing the critical and imaginative powers of the subconscious.
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Realism, also known as political realism, is a view of international politics that stresses its competitive and conflictual side. It is usually contrasted with idealism or liberalism, which tends to emphasize cooperation. ... The classical realists do not reject the possibility of moral judgment in international politics.