what were the major characteristics of opera buffa?
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Opera buffa plots centre on two groups of characters: a comic group of male and female personages and a pair (or more) of lovers. The dialogue is sung. The operatic finale, a long, formally organized conclusion to an opera act, including all principal personages, developed in opera buffa.
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['The Basso Continuo (Figured Bass).', 'One mood throughout the entire piece.', 'Important String sections.', 'Modes were replaced by the Major/Minor key system.', 'Many different forms are used (e.g. Binary, Fugue)', 'Many types of music, e.g. The Chorale, Opera, the Dance Suite.']
1045726
['Usually of noble birth.', 'Has a tragic flaw that eventually leads to his downfall (known as hamartia).', "Experiences a reversal of fortune brought about by the hero's tragic flaw (called peripeteia).", 'His actions result in an increase of self-awareness and self-knowledge.']
266836
Impressionist painting characteristics include relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, inclusion of movement as a crucial element of human ...
201909
['4 properties. -pitch. -dynamics. -tone color/timbre. -duration.', 'pitch. -vibration rate. -register. -octave. -range.', 'dynamics. -loud, soft.', 'duration. -speed of the tempo.']
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[' Plot centers around a Hero of Unbelievable Stature. The epic hero completes what everyone only attempts. ... ', ' Involves deeds of superhuman strength and valor. ... ', ' Vast Setting. ... ', ' Involves supernatural and-or otherworldly forces. ... ', ' Sustained elevation of style. ... ', ' Poet remains objective and omniscient.']
693117
['Less complicated texture than Baroque (more homophonic).', 'Emphasis on beauty, elegance and balance.', 'More variety and contrast within a piece than Baroque (dynamics, instruments, pitch, tempo, key, mood and timbre).']
220624
Impressionist painting characteristics include relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), common, ordinary subject matter, inclusion of movement as a crucial element of ...
1010110
['WSET Level 2 Systematic Approach to Tasting Wine®', 'CONCLUSIONS.', 'Quality. faulty – poor – acceptable – good – very good – outstanding.', 'APPEARANCE.', 'Clarity. clear – hazy. Intensity. pale – medium – deep. Colour. white. ... ', 'NOSE.', 'Condition. clean – unclean. Intensity. light – medium – pronounced. Aroma characteristics. ... ', 'PALATE.']
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['Literary Features.', 'allusion.', 'analogy.', 'character.', 'climax.', 'conflict.', 'dialogue.', 'flashback.']
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['Confidence. ... ', 'Passion. ... ', 'Introspection and Self Awareness. ... ', 'Being Yourself. ... ', 'Engagement with your Audience.']
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['Freedom of form and design. ... ', 'Song-like melodies (lyrical), as well as many chromatic harmonies and discords.', 'Dramatic contrasts of dynamics and pitch.', 'Big orchestras, due mainly to brass and the invention of the valve.']
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['long flowing melodic lines often using ornamentation (decorative notes such as trills and turns)', 'contrast between loud and soft, solo and ensemble.', 'a contrapuntal texture where two or more melodic lines are combined.']
1071979
The Main Characteristics of Romantic Music Freedom of form and design. It was more personal and emotional. Song-like melodies (lyrical), as well as many chromatic harmonies and discords. Dramatic contrasts of dynamics and pitch.
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Characteristics of Neoclassical Poetry: No Passionate Lyricism: lyrical quality, no passion, feelings and emotions. Objectivity: miseries, hardships and problems. Poetic Diction: different language, decorum, specific style and mannerism. Heroic Couplet: real masters, thirty thousand heroic couplets, Dryden and Pope.
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In conclusion, tone color, atmosphere, and fluidity were the most important characteristics to define Impressionist music. Most often represented by short, lyrical pieces, composers such as Debussy became prolific in this style from 1890-1920.
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['Good stage, screen or vocal presence.', 'The ability to enter into another character and engage with an audience.', 'The ability to memorise lines.', 'Good understanding of dramatic techniques.', 'Having the confidence, energy and dedication to perform.', 'Creative insight.']