finished_summaries/sparknotes/The Brothers Karamazov/section_1_part_2.txt
The Brothers Karamazov.book 2.chapter 2
book 2, chapter 2
{"name": "book 2, Chapter 2", "url": "https://web.archive.org/web/20210305110438/https://www.sparknotes.com/lit/brothersk/section2/", "summary": "The Old Buffoon The men enter Zosima's room just as Zosima himself arrives there, accompanied by Alyosha and a small group of monks. The monks kiss Zosima's hand in deference and ask for his blessing, but the other men decline to do so and merely bow to him somewhat stiffly. Alyosha is embarrassed by this awkward display of disrespect, but Zosima gives no sign of being troubled. Fyodor Pavlovich apologizes melodramatically for Dmitri's lateness and fills the awkward silence in the room with his chatter. Under the pretense of being apologetic for his uncontrollably -buffoonish behavior, Fyodor Pavlovich indulges in a series of increasingly sacrilegious witticisms and stories, well aware that in doing so, he is embarrassing and irritating the other men, especially Miusov, whom he relentlessly teases. Alyosha is mortified by his father's behavior, but Zosima does not seem to mind it. When Fyodor begins to play the supplicant and asks Zosima for spiritual advice, Alyosha is even more humiliated. But Zosima merely tells him that, if he wants to attain eternal life, he must stop telling lies, especially to himself. Surprisingly, Zosima attributes Fyodor Pavlovich's clownish behavior to the fact that Fyodor Pavlovich is embarrassed and ashamed of himself, and Zosima earnestly tries to make him more comfortable", "analysis": ""}
Chapter II. The Old Buffoon


They entered the room almost at the same moment that the elder came in
from his bedroom. There were already in the cell, awaiting the elder, two
monks of the hermitage, one the Father Librarian, and the other Father
Paissy, a very learned man, so they said, in delicate health, though not
old. There was also a tall young man, who looked about two and twenty,
standing in the corner throughout the interview. He had a broad, fresh
face, and clever, observant, narrow brown eyes, and was wearing ordinary
dress. He was a divinity student, living under the protection of the
monastery. His expression was one of unquestioning, but self-respecting,
reverence. Being in a subordinate and dependent position, and so not on an
equality with the guests, he did not greet them with a bow.

Father Zossima was accompanied by a novice, and by Alyosha. The two monks
rose and greeted him with a very deep bow, touching the ground with their
fingers; then kissed his hand. Blessing them, the elder replied with as
deep a reverence to them, and asked their blessing. The whole ceremony was
performed very seriously and with an appearance of feeling, not like an
everyday rite. But Miuesov fancied that it was all done with intentional
impressiveness. He stood in front of the other visitors. He ought--he had
reflected upon it the evening before--from simple politeness, since it was
the custom here, to have gone up to receive the elder's blessing, even if
he did not kiss his hand. But when he saw all this bowing and kissing on
the part of the monks he instantly changed his mind. With dignified
gravity he made a rather deep, conventional bow, and moved away to a
chair. Fyodor Pavlovitch did the same, mimicking Miuesov like an ape. Ivan
bowed with great dignity and courtesy, but he too kept his hands at his
sides, while Kalganov was so confused that he did not bow at all. The
elder let fall the hand raised to bless them, and bowing to them again,
asked them all to sit down. The blood rushed to Alyosha's cheeks. He was
ashamed. His forebodings were coming true.

Father Zossima sat down on a very old-fashioned mahogany sofa, covered
with leather, and made his visitors sit down in a row along the opposite
wall on four mahogany chairs, covered with shabby black leather. The monks
sat, one at the door and the other at the window. The divinity student,
the novice, and Alyosha remained standing. The cell was not very large and
had a faded look. It contained nothing but the most necessary furniture,
of coarse and poor quality. There were two pots of flowers in the window,
and a number of holy pictures in the corner. Before one huge ancient ikon
of the Virgin a lamp was burning. Near it were two other holy pictures in
shining settings, and, next them, carved cherubims, china eggs, a Catholic
cross of ivory, with a Mater Dolorosa embracing it, and several foreign
engravings from the great Italian artists of past centuries. Next to these
costly and artistic engravings were several of the roughest Russian prints
of saints and martyrs, such as are sold for a few farthings at all the
fairs. On the other walls were portraits of Russian bishops, past and
present.

Miuesov took a cursory glance at all these "conventional" surroundings and
bent an intent look upon the elder. He had a high opinion of his own
insight, a weakness excusable in him as he was fifty, an age at which a
clever man of the world of established position can hardly help taking
himself rather seriously. At the first moment he did not like Zossima.
There was, indeed, something in the elder's face which many people besides
Miuesov might not have liked. He was a short, bent, little man, with very
weak legs, and though he was only sixty-five, he looked at least ten years
older. His face was very thin and covered with a network of fine wrinkles,
particularly numerous about his eyes, which were small, light-colored,
quick, and shining like two bright points. He had a sprinkling of gray
hair about his temples. His pointed beard was small and scanty, and his
lips, which smiled frequently, were as thin as two threads. His nose was
not long, but sharp, like a bird's beak.

"To all appearances a malicious soul, full of petty pride," thought
Miuesov. He felt altogether dissatisfied with his position.

A cheap little clock on the wall struck twelve hurriedly, and served to
begin the conversation.

"Precisely to our time," cried Fyodor Pavlovitch, "but no sign of my son,
Dmitri. I apologize for him, sacred elder!" (Alyosha shuddered all over at
"sacred elder.") "I am always punctual myself, minute for minute,
remembering that punctuality is the courtesy of kings...."

"But you are not a king, anyway," Miuesov muttered, losing his self-
restraint at once.

"Yes; that's true. I'm not a king, and, would you believe it, Pyotr
Alexandrovitch, I was aware of that myself. But, there! I always say the
wrong thing. Your reverence," he cried, with sudden pathos, "you behold
before you a buffoon in earnest! I introduce myself as such. It's an old
habit, alas! And if I sometimes talk nonsense out of place it's with an
object, with the object of amusing people and making myself agreeable. One
must be agreeable, mustn't one? I was seven years ago in a little town
where I had business, and I made friends with some merchants there. We
went to the captain of police because we had to see him about something,
and to ask him to dine with us. He was a tall, fat, fair, sulky man, the
most dangerous type in such cases. It's their liver. I went straight up to
him, and with the ease of a man of the world, you know, 'Mr. Ispravnik,'
said I, 'be our Napravnik.' 'What do you mean by Napravnik?' said he. I
saw, at the first half-second, that it had missed fire. He stood there so
glum. 'I wanted to make a joke,' said I, 'for the general diversion, as
Mr. Napravnik is our well-known Russian orchestra conductor and what we
need for the harmony of our undertaking is some one of that sort.' And I
explained my comparison very reasonably, didn't I? 'Excuse me,' said he,
'I am an Ispravnik, and I do not allow puns to be made on my calling.' He
turned and walked away. I followed him, shouting, 'Yes, yes, you are an
Ispravnik, not a Napravnik.' 'No,' he said, 'since you called me a
Napravnik I am one.' And would you believe it, it ruined our business! And
I'm always like that, always like that. Always injuring myself with my
politeness. Once, many years ago, I said to an influential person: 'Your
wife is a ticklish lady,' in an honorable sense, of the moral qualities,
so to speak. But he asked me, 'Why, have you tickled her?' I thought I'd
be polite, so I couldn't help saying, 'Yes,' and he gave me a fine
tickling on the spot. Only that happened long ago, so I'm not ashamed to
tell the story. I'm always injuring myself like that."

"You're doing it now," muttered Miuesov, with disgust.

Father Zossima scrutinized them both in silence.

"Am I? Would you believe it, I was aware of that, too, Pyotr
Alexandrovitch, and let me tell you, indeed, I foresaw I should as soon as
I began to speak. And do you know I foresaw, too, that you'd be the first
to remark on it. The minute I see my joke isn't coming off, your
reverence, both my cheeks feel as though they were drawn down to the lower
jaw and there is almost a spasm in them. That's been so since I was young,
when I had to make jokes for my living in noblemen's families. I am an
inveterate buffoon, and have been from birth up, your reverence, it's as
though it were a craze in me. I dare say it's a devil within me. But only
a little one. A more serious one would have chosen another lodging. But
not your soul, Pyotr Alexandrovitch; you're not a lodging worth having
either. But I do believe--I believe in God, though I have had doubts of
late. But now I sit and await words of wisdom. I'm like the philosopher,
Diderot, your reverence. Did you ever hear, most Holy Father, how Diderot
went to see the Metropolitan Platon, in the time of the Empress Catherine?
He went in and said straight out, 'There is no God.' To which the great
bishop lifted up his finger and answered, 'The fool hath said in his heart
there is no God.' And he fell down at his feet on the spot. 'I believe,'
he cried, 'and will be christened.' And so he was. Princess Dashkov was
his godmother, and Potyomkin his godfather."

"Fyodor Pavlovitch, this is unbearable! You know you're telling lies and
that that stupid anecdote isn't true. Why are you playing the fool?" cried
Miuesov in a shaking voice.

"I suspected all my life that it wasn't true," Fyodor Pavlovitch cried
with conviction. "But I'll tell you the whole truth, gentlemen. Great
elder! Forgive me, the last thing about Diderot's christening I made up
just now. I never thought of it before. I made it up to add piquancy. I
play the fool, Pyotr Alexandrovitch, to make myself agreeable. Though I
really don't know myself, sometimes, what I do it for. And as for Diderot,
I heard as far as 'the fool hath said in his heart' twenty times from the
gentry about here when I was young. I heard your aunt, Pyotr
Alexandrovitch, tell the story. They all believe to this day that the
infidel Diderot came to dispute about God with the Metropolitan
Platon...."

Miuesov got up, forgetting himself in his impatience. He was furious, and
conscious of being ridiculous.

What was taking place in the cell was really incredible. For forty or
fifty years past, from the times of former elders, no visitors had entered
that cell without feelings of the profoundest veneration. Almost every one
admitted to the cell felt that a great favor was being shown him. Many
remained kneeling during the whole visit. Of those visitors, many had been
men of high rank and learning, some even freethinkers, attracted by
curiosity, but all without exception had shown the profoundest reverence
and delicacy, for here there was no question of money, but only, on the
one side love and kindness, and on the other penitence and eager desire to
decide some spiritual problem or crisis. So that such buffoonery amazed
and bewildered the spectators, or at least some of them. The monks, with
unchanged countenances, waited, with earnest attention, to hear what the
elder would say, but seemed on the point of standing up, like Miuesov.
Alyosha stood, with hanging head, on the verge of tears. What seemed to
him strangest of all was that his brother Ivan, on whom alone he had
rested his hopes, and who alone had such influence on his father that he
could have stopped him, sat now quite unmoved, with downcast eyes,
apparently waiting with interest to see how it would end, as though he had
nothing to do with it. Alyosha did not dare to look at Rakitin, the
divinity student, whom he knew almost intimately. He alone in the
monastery knew Rakitin's thoughts.

"Forgive me," began Miuesov, addressing Father Zossima, "for perhaps I seem
to be taking part in this shameful foolery. I made a mistake in believing
that even a man like Fyodor Pavlovitch would understand what was due on a
visit to so honored a personage. I did not suppose I should have to
apologize simply for having come with him...."

Pyotr Alexandrovitch could say no more, and was about to leave the room,
overwhelmed with confusion.

"Don't distress yourself, I beg." The elder got on to his feeble legs, and
taking Pyotr Alexandrovitch by both hands, made him sit down again. "I beg
you not to disturb yourself. I particularly beg you to be my guest." And
with a bow he went back and sat down again on his little sofa.

"Great elder, speak! Do I annoy you by my vivacity?" Fyodor Pavlovitch
cried suddenly, clutching the arms of his chair in both hands, as though
ready to leap up from it if the answer were unfavorable.

"I earnestly beg you, too, not to disturb yourself, and not to be uneasy,"
the elder said impressively. "Do not trouble. Make yourself quite at home.
And, above all, do not be so ashamed of yourself, for that is at the root
of it all."

"Quite at home? To be my natural self? Oh, that is much too much, but I
accept it with grateful joy. Do you know, blessed Father, you'd better not
invite me to be my natural self. Don't risk it.... I will not go so far as
that myself. I warn you for your own sake. Well, the rest is still plunged
in the mists of uncertainty, though there are people who'd be pleased to
describe me for you. I mean that for you, Pyotr Alexandrovitch. But as for
you, holy being, let me tell you, I am brimming over with ecstasy."

He got up, and throwing up his hands, declaimed, "Blessed be the womb that
bare thee, and the paps that gave thee suck--the paps especially. When you
said just now, 'Don't be so ashamed of yourself, for that is at the root
of it all,' you pierced right through me by that remark, and read me to
the core. Indeed, I always feel when I meet people that I am lower than
all, and that they all take me for a buffoon. So I say, 'Let me really
play the buffoon. I am not afraid of your opinion, for you are every one
of you worse than I am.' That is why I am a buffoon. It is from shame,
great elder, from shame; it's simply over-sensitiveness that makes me
rowdy. If I had only been sure that every one would accept me as the
kindest and wisest of men, oh, Lord, what a good man I should have been
then! Teacher!" he fell suddenly on his knees, "what must I do to gain
eternal life?"

It was difficult even now to decide whether he was joking or really moved.

Father Zossima, lifting his eyes, looked at him, and said with a smile:

"You have known for a long time what you must do. You have sense enough:
don't give way to drunkenness and incontinence of speech; don't give way
to sensual lust; and, above all, to the love of money. And close your
taverns. If you can't close all, at least two or three. And, above
all--don't lie."

"You mean about Diderot?"

"No, not about Diderot. Above all, don't lie to yourself. The man who lies
to himself and listens to his own lie comes to such a pass that he cannot
distinguish the truth within him, or around him, and so loses all respect
for himself and for others. And having no respect he ceases to love, and
in order to occupy and distract himself without love he gives way to
passions and coarse pleasures, and sinks to bestiality in his vices, all
from continual lying to other men and to himself. The man who lies to
himself can be more easily offended than any one. You know it is sometimes
very pleasant to take offense, isn't it? A man may know that nobody has
insulted him, but that he has invented the insult for himself, has lied
and exaggerated to make it picturesque, has caught at a word and made a
mountain out of a molehill--he knows that himself, yet he will be the first
to take offense, and will revel in his resentment till he feels great
pleasure in it, and so pass to genuine vindictiveness. But get up, sit
down, I beg you. All this, too, is deceitful posturing...."

"Blessed man! Give me your hand to kiss."

Fyodor Pavlovitch skipped up, and imprinted a rapid kiss on the elder's
thin hand. "It is, it is pleasant to take offense. You said that so well,
as I never heard it before. Yes, I have been all my life taking offense,
to please myself, taking offense on esthetic grounds, for it is not so
much pleasant as distinguished sometimes to be insulted--that you had
forgotten, great elder, it is distinguished! I shall make a note of that.
But I have been lying, lying positively my whole life long, every day and
hour of it. Of a truth, I am a lie, and the father of lies. Though I
believe I am not the father of lies. I am getting mixed in my texts. Say,
the son of lies, and that will be enough. Only ... my angel ... I may
sometimes talk about Diderot! Diderot will do no harm, though sometimes a
word will do harm. Great elder, by the way, I was forgetting, though I had
been meaning for the last two years to come here on purpose to ask and to
find out something. Only do tell Pyotr Alexandrovitch not to interrupt me.
Here is my question: Is it true, great Father, that the story is told
somewhere in the _Lives of the Saints_ of a holy saint martyred for his
faith who, when his head was cut off at last, stood up, picked up his
head, and, 'courteously kissing it,' walked a long way, carrying it in his
hands. Is that true or not, honored Father?"

"No, it is untrue," said the elder.

"There is nothing of the kind in all the lives of the saints. What saint
do you say the story is told of?" asked the Father Librarian.

"I do not know what saint. I do not know, and can't tell. I was deceived.
I was told the story. I had heard it, and do you know who told it? Pyotr
Alexandrovitch Miuesov here, who was so angry just now about Diderot. He it
was who told the story."

"I have never told it you, I never speak to you at all."

"It is true you did not tell me, but you told it when I was present. It
was three years ago. I mentioned it because by that ridiculous story you
shook my faith, Pyotr Alexandrovitch. You knew nothing of it, but I went
home with my faith shaken, and I have been getting more and more shaken
ever since. Yes, Pyotr Alexandrovitch, you were the cause of a great fall.
That was not a Diderot!"

Fyodor Pavlovitch got excited and pathetic, though it was perfectly clear
to every one by now that he was playing a part again. Yet Miuesov was stung
by his words.

"What nonsense, and it is all nonsense," he muttered. "I may really have
told it, some time or other ... but not to you. I was told it myself. I
heard it in Paris from a Frenchman. He told me it was read at our mass
from the _Lives of the Saints_ ... he was a very learned man who had made
a special study of Russian statistics and had lived a long time in
Russia.... I have not read the _Lives of the Saints_ myself, and I am not
going to read them ... all sorts of things are said at dinner--we were
dining then."

"Yes, you were dining then, and so I lost my faith!" said Fyodor
Pavlovitch, mimicking him.

"What do I care for your faith?" Miuesov was on the point of shouting, but
he suddenly checked himself, and said with contempt, "You defile
everything you touch."

The elder suddenly rose from his seat. "Excuse me, gentlemen, for leaving
you a few minutes," he said, addressing all his guests. "I have visitors
awaiting me who arrived before you. But don't you tell lies all the same,"
he added, turning to Fyodor Pavlovitch with a good-humored face. He went
out of the cell. Alyosha and the novice flew to escort him down the steps.
Alyosha was breathless: he was glad to get away, but he was glad, too,
that the elder was good-humored and not offended. Father Zossima was going
towards the portico to bless the people waiting for him there. But Fyodor
Pavlovitch persisted in stopping him at the door of the cell.

"Blessed man!" he cried, with feeling. "Allow me to kiss your hand once
more. Yes, with you I could still talk, I could still get on. Do you think
I always lie and play the fool like this? Believe me, I have been acting
like this all the time on purpose to try you. I have been testing you all
the time to see whether I could get on with you. Is there room for my
humility beside your pride? I am ready to give you a testimonial that one
can get on with you! But now, I'll be quiet; I will keep quiet all the
time. I'll sit in a chair and hold my tongue. Now it is for you to speak,
Pyotr Alexandrovitch. You are the principal person left now--for ten
minutes."





book 2, Chapter 2
The Old Buffoon The men enter Zosima's room just as Zosima himself arrives there, accompanied by Alyosha and a small group of monks. The monks kiss Zosima's hand in deference and ask for his blessing, but the other men decline to do so and merely bow to him somewhat stiffly. Alyosha is embarrassed by this awkward display of disrespect, but Zosima gives no sign of being troubled. Fyodor Pavlovich apologizes melodramatically for Dmitri's lateness and fills the awkward silence in the room with his chatter. Under the pretense of being apologetic for his uncontrollably -buffoonish behavior, Fyodor Pavlovich indulges in a series of increasingly sacrilegious witticisms and stories, well aware that in doing so, he is embarrassing and irritating the other men, especially Miusov, whom he relentlessly teases. Alyosha is mortified by his father's behavior, but Zosima does not seem to mind it. When Fyodor begins to play the supplicant and asks Zosima for spiritual advice, Alyosha is even more humiliated. But Zosima merely tells him that, if he wants to attain eternal life, he must stop telling lies, especially to himself. Surprisingly, Zosima attributes Fyodor Pavlovich's clownish behavior to the fact that Fyodor Pavlovich is embarrassed and ashamed of himself, and Zosima earnestly tries to make him more comfortable